Art and Modern Telecommunications: A Symbiotic Relationship

In the 21st century, the worlds of art and telecommunications have become increasingly intertwined, creating a symbiotic relationship that has led to profound changes in both fields. This article explores how modern telecommunications have influenced the art world, reshaping the way art is created, shared, experienced, and perceived.

Transforming Art Creation

Digital Art Forms

Telecommunications technology has given birth to new forms of digital art. Artists are now utilizing software, virtual reality, and artificial intelligence to create works that were unimaginable a few decades ago. This digital revolution has expanded the boundaries of art, allowing for more experimentation and innovation.

Collaborative Art Projects

The connectivity offered by modern telecommunications has made it easier for artists around the world to collaborate. These collaborations can happen in real-time, despite geographical distances, leading to a fusion of diverse artistic perspectives and cultural influences.

Redefining Art Distribution and Access

Online Galleries and Exhibitions

The internet has revolutionized how art is distributed and accessed. Online galleries and virtual exhibitions have made art more accessible than ever before, allowing people from all corners of the globe to view and appreciate art that they would not have had access to otherwise.

Social Media as a Platform

Social media platforms have become crucial for artists to share their work, engage with their audience, and even sell their art directly to consumers. This has democratized the art world, giving a voice to emerging artists who might not have the means to showcase their work in traditional galleries.

Enhancing Art Experience

Interactive and Immersive Experiences

Telecommunications technologies like augmented reality and virtual reality are creating new ways for audiences to experience art. These technologies provide immersive and interactive experiences, making art more engaging and accessible to a broader audience.

Art in the Digital Age

Digital technologies have also changed the way people perceive and interact with art. The digital reproduction of artworks has sparked discussions about the concepts of originality and authenticity in the digital age.

Challenges and Opportunities

Intellectual Property Concerns

With the ease of reproducing and sharing digital art, issues of copyright and intellectual property have become more complex. Artists and institutions need to navigate these challenges to protect their work while embracing the benefits of digital distribution.

Bridging the Digital Divide

While telecommunications have made art more accessible, there remains a digital divide. Access to technology and the internet is not uniform across the globe, which can limit the reach and impact of digital art.

The Future of Art and Telecommunications

As telecommunications continue to evolve through 192.168.0.1, we can expect even more groundbreaking changes in the art world. The future might bring more immersive experiences, wider collaboration among artists, and innovative ways of creating and experiencing art. This evolution will likely continue to challenge our traditional notions of what art is and can be.

Telecommunications Through the Lens of Art: An Evolving Narrative

Telecommunications, the backbone of modern connectivity, has become a significant theme in contemporary art, reflecting the profound impact it has on society and individual lives. This article delves into how artists are exploring and representing the world of telecommunications through their creative work, offering unique perspectives on this integral aspect of modern life.

The Emergence of Telecommunications in Art

Historical Context

The incorporation of telecommunications in art can be traced back to the early days of telephony and radio. Artists began to experiment with these technologies not only as subjects but also as mediums for artistic expression. This trend has evolved with each technological advancement, from television to the internet and mobile technology.

You can check your configuration here: https://isproto.com/en/192-168-1-254/

Art Reflecting Societal Changes

As telecommunications technologies have reshaped how people interact, work, and live, artists have mirrored these changes in their work. Art pieces often comment on the social, cultural, and even psychological implications of living in a hyper-connected world.

Mediums and Expressions

Digital Art and Installations

Digital art has emerged as a prominent medium to explore telecommunications themes. Interactive installations, digital sculptures, and multimedia pieces often use telecommunications technology itself to engage viewers, making them both the subject and the medium.

Traditional Art Forms

Even traditional art forms like painting, sculpture, and photography have been influenced by telecommunications themes. These works often provide a more reflective or critical look at how these technologies affect human interaction, privacy, and the nature of reality.

Themes Explored in Art

Connectivity and Isolation

One prevalent theme is the paradox of connectivity and isolation. While telecommunications bring people together virtually, they can also lead to a sense of disconnection in physical, real-world interactions. Artists often explore this duality in their work.

Surveillance and Privacy

In an age of ubiquitous telecommunications, issues of surveillance and privacy are increasingly pertinent. Art reflecting these themes often critiques the pervasive nature of monitoring and data collection in modern society.

The Digital Self

The concept of identity in the digital age is another critical area of exploration. Artists examine how online personas, social media, and digital communication shape and sometimes distort self-perception and interpersonal relationships.

Impact and Reception

Raising Awareness and Provoking Thought

Art that incorporates telecommunications themes plays a vital role in raising awareness about the complexities of these technologies. It can provoke thought and discussion, encouraging viewers to consider the broader implications of their digitally connected lives.

Bridging Art and Technology

This fusion of art and telecommunications also bridges the gap between technology and the humanities. It provides a platform for interdisciplinary collaboration and innovation, pushing the boundaries of both fields.

The Future of Art and Telecommunications

Looking ahead, the relationship between art and telecommunications is poised to become even more intertwined. As emerging technologies like augmented reality, artificial intelligence, and 5G networks develop like 192.168.l.254, they will undoubtedly inspire new forms of artistic expression and critical commentary.

Conclusion

Telecommunications through the art offers a unique lens to view and understand the complex web of digital connectivity that defines modern life. It challenges, critiques, and celebrates the technological advances that have become so integral to our daily experiences. As we continue to navigate this ever-connected world, art will undoubtedly play a crucial role in reflecting and shaping our understanding of the role telecommunications play in society.

The relationship between art and modern telecommunications is one of mutual enhancement and continuous evolution. As telecommunications technologies advance, they offer new tools and platforms for artists to express their creativity, while art finds new ways to integrate these technologies into its very fabric. This fusion is not only redefining the art world but also enriching our cultural landscape in unprecedented ways.

Events of the Indonesian invasion of East Timor in 1975

Based on the shocking true events of the Indonesian invasion of East Timor in 1975, ‘BALIBO’ will star Anthony LaPaglia as Australian television journalist Roger East, who takes an unofficial job as the head of the East Timor News Agency at the behest of young idealistic revolutionary José Ramos-Horta. While reporting on the bloody suppression of the East Timorese at the hands of the Indonesians, East attempts to discover the fate of five missing Australian journalists, who disappeared from the border village of Balibo some weeks previously.

Connolly, who previously worked with LaPaglia on Australian crime thriller ‘The Bank’ will direct from a script he co-wrote with writer David Williamson (‘Gallipoli’, ‘The Year of Living Dangerously’). Balibo will utilise archival newsreel footage from the original conflict, some of it taken by the missing journalists. Principal photography is scheduled for early 2008.

Arenafilm’s John Maynard (‘Sweetie’, ‘The Boys’, ‘The Bank’, ‘Three Dollars, ‘Romulus My Father’) will produce with Rebecca Williamson, his third film with Connolly.

ContentFilm will co-finance ‘Balibo’ alongside Australia’s FFC, who green lit the film at last week’s board meeting, and regional funding body Film Victoria.

“I’m looking forward to returning home to work again,” says LaPaglia. “It’s such an inspiring team and an important story for Australia and the region.

“ContentFilm Intl President, Jamie Carmichael said, “Very timely subject matter, a powerful thriller, a great creative team – and the unique prospect of original footage interwoven into the film itself, makes BALIBO a heady mix of action adventure and courageous journalism.”

Worldwide rights to the WW2 action film

Los Angeles – ContentFilm International has acquired worldwide rights (excluding the UK and Scandinavia) to the WW2 action film, AGE OF HEROES which stars Sean Bean (Lord of the Rings, Flight Plan, Hitcher), Danny Dyer (The Football Factory, The Business, Dead Man Running) and Rosie Fellner (Boogie Woogie, The Crew). The film is co-written by Ed Scates and Adrian Vitoria and directed by Adrian Vitoria (Hit Girls). More cast will be announced soon. AGE OF HEROES has been described as ‘The Dirty Dozen meets Tigerland’, an all-action, adrenalin shot, based on the true story of the formation of Ian Fleming’s 30 Commando, the influence for the SAS. The film will be shot in Norway and the UK with principal photography starting on April 6, 2010. AGE OF HEROES is the first in a trilogy of War Films (AGE OF HONOR and AGE OF GLORY make up the trio) that are first out the gate from Lex Lutzus’ NEON PARK, in collaboration with Nick O’Hagan’s GIANT FILMS and CINEDOME. Metrodome are set to distribute in the UK as well as being co-producers on the film which will be posted at PRIME FOCUS. UK based MATADOR Pictures lead the financing along side private equity investors. Norway’s National Film Institute and local fund FILM KRAFT are also supporting the project through the film’s Norwegian producing partners, Moskus Films. Producer Lex Lutzus said: ‘War seems to be growing as a genre in film with the rising popularity of computer games such as Call of Duty widening the demography of the audience.” Metrodome’s CEO Peter Urie said “I am delighted to announce this new co production venture, the second film that we are now actively involved with. I will be acting as an Executive Producer on behalf of Metrodome and am looking forward to working with the talented cast and crew” ContentFilm President Carmichael said: “We’re extremely excited to be working with Adrian, Lex and Nick on this action franchise. There is tremendous international interest in Special Forces and to be able to combine that with a fabulous script, production team and cast, makes for a very potent mix.”

WWII actioner Age of Heroes

By Wendy MitchellSource: Screen Daily

WWII actioner will start shooting April 6 in UK and Norway.

ContentFilm International has acquired worldwide rights (excluding the UK and Scandinavia) to forthcoming feature Age of Heroes.

Adrian Vitoria (The Crew) is directing from a script he wrote with Ed Scates, about the true story of the formation of Ian Fleming’s 30 Commando, which influenced the SAS.

The WW2 action film stars Sean Bean, Danny Dyer and Rosie Fellner. More cast will be announced soon.

The film will shoot in Norway and the UK, with principal photography starting April 6.

The film is the first in a planned trilogy of war films from Lex Lutzus’ Neon Park, in collaboration wiht Nick O’Hagan’s Giant Films and Cinedome.

Metrodome is co-producing the film and will release in the UK. Post-production will be done at Prime Focus.

UK-based Matador Pictures led the financing alongside private equity investors. The project is also supported by Norway’s National Film Institute and local fund fund Film Kraft (via local producing partners Moskus Films).

Producer Lex Lutzus said: “War seems to be growing as a genre in film with the rising popularity of computer games such as Call of Duty widening the demography of the audience.”

Metrodome CEO Peter Urie added: “I am delighted to announce this new co-production venture, the second film that we are now actively involved with. I will be acting as an executive producer on behalf of Metrodome and am looking forward to working with the talented cast and crew”

ContentFilm President Jamie Carmichael said: “We’re extremely excited to be working with Adrian, Lex and Nick on this action franchise. There is tremendous international interest in Special Forces and to be able to combine that with a fabulous script, production team and cast, makes for a very potent mix.”

The Dirty Dozen meets Tigerland in AGE OF HEROES

‘The Dirty Dozen’ meets ‘Tigerland’ in AGE OF HEROES – an action-packed adrenalin shot based on the true story of the formation of the 30 Commando, one of the most respected, secretive and exclusive special forces regiments formed during the Second World War, from which the now legendary SAS was born.

Ambushed deep behind enemy lines in WW2, the young British corporal Rains (DANNY DYER) fearlessly leads his men out of danger. But his rogue attitude costs him, and he’s sent to an allied military prison for insubordination. When the highly esteemed Captain Jones (SEAN BEAN) shows up, Rains’s bravado and raw display of fighting skills impress Jones enough to recruit him for his ‘Commando’ unit.

After weeks of mentally intense and physically grueling training ops where Jones tests his men to their breaking point, they are quickly assigned their first mission; to parachute into occupied Norway and capture a deadly new radar technology from the Germans. But as they get near the drop-zone, the newly formed band of brothers, joined by ‘Norwegian yank’ Steiner and beautiful blonde spy Jensen, find themselves in the midst of a fierce dogfight, before crash landing in a Norwegian village where Nazis have been mercilessly executing civilians.

In a bloody battle in the mountains of Norway, outnumbered by an enemy as ruthless as it is clinical, the soldiers soon realize it’s do-or-die time. And by pushing their innate skills and hardcore training to the nth degree, we see that this is no time for ordinary soldiers… This is the AGE OF HEROES.

WHEN YOU’RE STRANGE

Synopsis by Geoffrey Gilmore – Director, Sundance Film Festival:

“The Doors are probably my favorite band. Maybe that’s because they emerged at such a troubled point in American history and so captured the zeitgeist of that era, the late 1960s and early ’70s. And yet I don’t mythologize them. But Tom DiCillo’s feature documentary is such an inspired portrait of not only the band and its iconic singer, Jim Morrison, and also that time period and its contradictions, its optimism and fury, its co-optation and transformation, that it instantly carried me back to those days.

“WHEN YOU’RE STRANGE is far from a nostalgic journey and much more than a biopic. Using only original footage shot between 1966 and 1971, DiCillo’s film attempts to disentangle truth from myth, depict the artist and the alcoholic/addict that was Morrison, and showcase the other members of the band: Ray Manzarek, Robby Krieger, and John Densmore, who together channeled the group’s magic. It manages to preserve the mystique but never ceases to unearth new revelations and augment our understanding of who the Doors were and what they became.

“As well as an astute chronicle of the times, this is a deeply personal film for DiCillo. In the final analysis, WHEN YOU’RE STRANGE is a rare tribute to music, individuality, and a generation and resonates with an authenticity that speaks to anyone who wants to understand that era and what it means today.”

ContentFilm : Terms & Conditions

This email transmission, and any documents, files or messages attached to is subject to copyright, for the sole use of the intended recipient(s) to whom this email is addressed, and may contain confidential and/or privileged information.Please follow this hyperlink to read the full email disclaimer statement.
Please follow this hyperlink to read our company registration details.

1 Introduction
The following terms and conditions apply in respect of any use of any of the websites (the “ContentFilm plc Websites”) operated by ContentFilm plc (“ContentFilm” “we”, “our” or “us”). By accessing or using the ContentFilm plc websites you agree to be legally bound by these terms and conditions as they may be modified and posted from time to time. Please check these terms and conditions periodically. If you do not wish to be bound by these terms and conditions then please do not use the ContentFilm Websites. By accessing the ContentFilm Websites you accept and agree to these terms and conditions of use as they apply to your use of the ContentFilm Websites.

2 Information Displayed on ContentFilm Websites

The ContentFilm Websites are intended to provide information about ContentFilm, its films and other activities as we so choose. While ContentFilm uses reasonable efforts to obtain information from sources that it believes to be reliable, it is solely your responsibility to evaluate the accuracy, completeness, usefulness and fitness for any purpose of all details of opinions, advice, services and other information provided on the ContentFilm Websites.ContentFilm clearly states that film credits listed throughout the site are not contractual.Not all services and/or products are available worldwide. Your eligibility for particular services and/or products is subject to final ContentFilm determination and acceptance.Any dated information contained on the ContentFilm Websites are published as of its date only, and ContentFilm does not undertake any obligation or responsibility to update or amend any such information.

3 Availability of ContentFilm Websites

We reserve the absolute right to alter, suspend or discontinue any aspect of the ContentFilm Websites or the services provided through it, including your access to it. Unless explicitly stated any new features including the release of new services, software tools or resources shall be subject to these terms and conditions. We will endeavour to make the ContentFilm Websites available but cannot guarantee that the ContentFilm Websites will operate continuously or without interruptions or be error free. You must not attempt to interfere with the proper working of the ContentFilm Websites and, in particular, you must not attempt to circumvent security, tamper with, hack into, or otherwise disrupt any computer system, server, ContentFilm Websites, router or any other internet connected device.

4 Your User Information

4.1 The following information applies to any information you may supply to us, now or in the future:4.1.1 You authorise us to use, store or otherwise process any User Information including but not limited to your name and address to the extent reasonably necessary to provide the services which are available through the ContentFilm Websites, by us or our sub-contractors. In addition, if you choose to buy merchandise through any of the ContentFilm Websites then we may collect information about your buying behaviour and if you send us personal correspondence such as e-mails or letters or post messages on the bulletin boards or in the chat areas then we may collect such information into a file specific to you (together, the various purposes set out in this paragraph shall be known as “the Purposes”). By using the ContentFilm Websites, you consent to such collection and use by us. All such information collected by us shall be referred to in these terms and conditions as “User Information”.4.1.2 You are solely responsible for User Information and we may take any action with respect to your User Information we deem necessary or appropriate if we believe it may cause us to suffer any loss, liability or commercial damage.4.1.3 The User Information you provide shall be accurate and complete and all registration details (where applicable) shall contain your correct name, address and other requested details.4.2 By accepting these terms and conditions, you freely consent to the processing and disclosure of the User Information. You also agree that the Purposes for the processing may be amended to include other uses or disclosures of User Information following notification to you by means of a notice on the ContentFilm Site. If you would like to review or modify any part of your User Information then you should email us at Judith@contentinternational.com. For the Purposes, we may transfer or disclose User Information to other companies, to our professional advisers and to such other parties as we consider necessary, in the administration of the ContentFilm Websites and related business or if required to disclose such information by law.4.3 We may aggregate statistics, traffic patterns and related site information and disclose such aggregate data to third parties for marketing, advertising or other promotional purposes but such aggregate data will not include any User Information.4.4 Certain non-User Information of visitors to the ContentFilm Websites is recorded by the standard operation of our servers, including but without limitation, the URL that you just came from, which URL you next go to, what browser you are using and your IP address. Such information is primarily used to provide an enhanced on-line experience for the visitor.4.5 Some ContentFilm Websites place a “cookie” in the browser files of each user’s computer. A cookie itself does not contain any User Information but lets the computers remember that you have registered, if applicable will saves your password, any purchases or preferences from the ContentFilm Websites that you have visited. These services are currently not available.4.6 In addition, the following also applies to all notes, messages, bulletin boards postings, ideas, suggestions, concepts or other material submitted by you to us (“Contributions”) as and when these services become available:4.6.1 you must own or have the right to submit Contributions for publication on the ContentFilm Websites and all Contributions submitted by you must be legal, honest, decent and truthful and comply with all applicable laws, regulations, standards or codes of conduct.4.6.2 you must ensure that all Contributions submitted to us does not infringe the copyright, design, privacy, publicity, data protection, trade mark or any other rights of any third party, nor be obscene, abusive, threatening, libellous or defamatory of any person.4.6.3 you must ensure that the Contributions does not advertise or otherwise solicit for funds or is a solicitation for goods or services.4.6.4 we have the right to monitor the Contributions and may edit, reject or remove Contributions if we believe it does not comply with the above.4.7 All Contributions submitted to us will become the property of ContentFilm throughout the world except any portion of the material that is User Information. You have sole responsibility for the Contributions which you submit to us for publication on the ContentFilm Websites and you shall indemnify and shall keep us fully and effectively indemnified on demand from and against all actions, claims, losses, liability, proceedings, damages, costs, expenses, loss of business, loss of profits, business interruption and other pecuniary or consequential loss (including legal costs and expenses) suffered or incurred by us and arising directly or indirectly out of the publication of material submitted by you to us.

5 Security

You are solely responsible in all respects for all use of and for protecting the confidentiality of any email verification number and password which may be given to you or selected by you for use on the ContentFilm Websites as and when such services become available. You may not share these with or transfer them to any third parties. You must notify ContentFilm immediately of any unauthorised use of them or any other breach of security regarding the ContentFilm Websites which comes to your attention.

6 Applicability of Online Materials

Unless otherwise specified the materials used by ContentFilm on the ContentFilm Websites are presented solely for the purpose of entertaining and promoting films and other products available in the territories for which ContentFilm has the right to use such materials. The ContentFilm Websites are controlled and operated by ContentFilm from its offices in London. We make no representations that the ContentFilm Materials are appropriate or available for use in other locations. Those who visit the ContentFilm Websites from other locations do so on their own initiative and are responsible for compliance with all applicable laws.

7 Liability

7.1 The ContentFilm Websites and all materials and information thereon are provided on an “as is” basis. To the fullest extent permissible by applicable law, we do not make any express or implied warranties, representations or endorsements whatsoever with regard to the ContentFilm Websites or any information or service provided through the ContentFilm Websites. To the fullest extent permitted by law we will no be liable to Users for any loss or damage of any nature whatsoever and howsoever arising (including due to our negligence) out of or in connection with the viewing, use or performance of the ContentFilm Websites or its contents, whether due to inaccuracy, error, omission or any other cause and whether on the part of ContentFilm or our servants or agents, or any other person.7.2 You are responsible for ensuring that your computer system meets all relevant technical specifications necessary to use the ContentFilm Websites and is compatible with the ContentFilm Websites. You also understand that we cannot and do not guarantee or warrant that any material available for downloading from the ContentFilm Websites will be free from infection, viruses and/or other code that has contaminating or destructive properties. You are responsible for implementing sufficient procedures and virus checks (including anti-virus and other security checks) to satisfy your particular requirements for the accuracy of data input and output.

8 Copyright and Monitoring

The contents of the ContentFilm Websites are protected by international copyright laws and other intellectual property rights. The owners of these rights are ContentFilm or other third party Licensors. All product and company names and logos mentioned in the ContentFilm Websites may be the trade marks, service marks or trading names of their respective owners, including contentinternational.com. You may not modify, copy, reproduce, republish, upload, post, transmit or distribute, by any means or in any manner, any material or information on or downloaded from the ContentFilm Websites including but not limited to text, graphics, video, messages, code and/or software without our prior written consent.

9 Linked Sites

When you access certain links on the ContentFilm Websites you may leave the ContentFilm Website. ContentFilm has not reviewed any of the websites linked to the ContentFilm Website and does not endorse or accept any responsibility for the content or availability of such websites nor the products, services or any other items offered through such websites. Any concerns regarding any external link should be directed to its respective site administrator or web master. From time to time links may be broken, please feel free to advise Content in this instances.

10 General

10.1 We may assign or subcontract any or all of our rights and obligations under these terms and conditions.10.2 We may alter these terms and conditions from time to time and post the new version on the ContentFilm Websites, following which all use of the ContentFilm Websites will be governed by that version.10.3 If any provision or term of these terms and conditions shall become or be declared illegal, invalid or unenforceable for any reason whatsoever, such term or provision shall be divisible from them and shall be deemed to be deleted from them.

10.4 These terms and conditions and your use of the ContentFilm Websites are governed by English law and you submit to the non-exclusive jurisdiction of the English court.

TERMS AND CONDITIONS APPLICABLE TO EMAIL FROM CONTENT FILMThis email transmission, and any documents, files or messages attached to it is subject to copyright. The email is for the sole use of the intended recipient(s) to whom this email is addressed, and may contain confidential and/or privileged information. If you are not the intended recipient, or a person responsible for delivering it to the intended recipient, you are hereby notified that any unauthorised retention, review, disclosure, copying, alteration, distribution or use of any of the information contained in or attached to this transmission is prohibited and may be actionable. If you are not the intended recipient, please be advised that you have received this email in error, and please contact the sender by reply email and destroy all copies (including all electronic and hard copies) of the original message.Any views expressed in this message are those of the individual sender and may not be the views of ContentFilm, unless specifically stated.

Attachments are opened at your own risk and you are advised to scan incoming email for viruses before opening any attached files. We give no guarantee that any communication is virus-free and accept no responsibility for virus contamination or other system loss or damage of any kind.

back to top

CORPORATE INFORMATION

ContentFilm PlcRegistered Name & Trading Name: ContentFilm PlcRegistration Number: 02819652Place of Registration: England and Wales

Registered Office: 19-21 Heddon Street, London, W1B 4BG

ContentFilm International
Registered Name & Trading Name: ContentFilm International LimitedRegistration Number: 3040413Place of Registration: England and Wales

Registered Office: 19-21 Heddon Street, London, W1B 4BG

Fireworks International
Registered Name: ContentFilm International LimitedTrading Name: Fireworks InternationalRegistration Number: 3040413Place of Registration: England and Wales

Registered Office: 19-21 Heddon Street, London, W1B 4BG

back to top

HOW TO CONTACT CONTENTFILM

We welcome your views about our website and our privacy policy. If you would like to contact us with any queries or comments please send an e-mail.

back to top

ContentFilm : Privacy Policy

As we have a facility on this site for you to subscribe to our news alerts – allowing you to conveniently receive news in your inbox as and when it is released – we need to keep a record of your name and email address. The name and email address you send us from the form on this site is for this purpose only.

At ContentFilm Plc we believe in privacy and hope that one day the world will be spam-free. We’re doing our bit to make this a reality. We don’t swap or rent your email address nor name to third parties.

Your name

We only collect and store your name in a database so that we can use it to address you personally in the news email alerts. We keep it to be friendly.

Your email address

We only collect and hold your email address in order to send you the news alerts you have requested. You can unsubscribe at any time. If you ever have a problem with your subscription contact rebecca.berry@contentfilm.com.

If you email us in relation to a film or program query, your email address is kept as long as necessary to facilitate the correspondance and query.

Unsubscribing

Reply to an email news alert with only the word “unsubscribe” in the subject line. This will unsubscribe you from our database.

Questions?

If we have not reassured with the policy outlined above, please contact rebecca.berry@contentfilm.com.

The coming of AGE OF GLORY

Following AGE OF HEROES and AGE OF HONOUR, comes AGE OF GLORY, the concluding part of an astounding WW2 trilogy, promising to take the British Commandos on their toughest and most dangerous mission yet; to support a people under attack from a trained and ruthless Japanese army.

Assigned to assist the Chindits, an allied Force operating deep behind enemy lines in North Burma, Commandos Lawrence and Mac find themselves in the middle of an escalating and bloody conflict against Japan. Vastly outnumbered and facing an experienced and versatile enemy, Lawrence struggles with witnessing horrors and atrocities on a previously unseen scale. But Fleming’s new mission alerts Lawrence to the needs of countless Burmese innocents, and with a new found leadership, resolve and determination, the Commandos team up with Lieutenant Carlson’s Raider Squadron and parachute into the Burmese jungle to hunt down enemy leader, General Tazoe, facing a danger-riddled battleground and expert opponent.

Brimming with authenticity and action packed from the get-go, AGE OF GLORY will raise the bar yet again in a fitting third chapter to a thrilling and unrivalled franchise; when soldiers became heroes, when honour superseded life, and when glory was found not only in victory, but in the fight itself.